The tunnel elongated, the kind of action featured in dreams where nothing was as it seemed. The trunk walls curved strangely, first bulging out and then curled inward to form an impenetrable ceiling. All light extinguished...and returned in spotlights. Every sense of comfort vanished.
Elianas laughed in disbelief. So many ages he’d had, and the taunts came in the form of a dreamscape? He had expected more. He’d expected challenge.
He stalked forward, every step revealing his disdain for this mundanity.
Whispers dogged him, inane sounds that contained little meaning and merely served to underscore ordinariness. If someone desired to frighten him and throw him off the scent, this certainly wasn’t the manner in which to achieve it. Where was imagination? This tunnel lived in the nightmares of children only.
He walked on with a smile, expecting dreadful creatures with fangs and vicious intent, perhaps even an otherworldly screech or two to round the whole off.
It was the rain that changed perception.
It began with a drip, drip, drip on the very edge of hearing.
A smell of earth.
Elianas came to a stop. A storm would be more fitting in this type of dreamscape- rain, slow drips finding chinks in the armour of the tunnel ceiling, signified...reality.
What did it mean?
Saturday, May 15, 2010
Speak in others' tongues...
Creating a world and civilisation is quite a challenge...and a lot of fun! Besides the calendar for Valaris, I have also delved into another language. Not quite A-Z, but a word here and there to show difference.
I'll post one from time to time:
Trebac - kinfire
'the blue sparks that signify a meeting of kin, particular to the House of Valla'
I'll post one from time to time:
Trebac - kinfire
'the blue sparks that signify a meeting of kin, particular to the House of Valla'
Thursday, May 13, 2010
VALARIS CALENDAR
Valaris follows the moon in marking time and seasons. The calendar is therefore lunar:
Fourteen phases – fourteen months
Ten days dark of moon and twenty-two days light – thirty-four days/month
476 days/year
Months:
Snostirl
Istelgor
Festwun
Grensceot
Skileiken
Solsuite
Hatubrath
Fainscan
Cludcast
Redlef
Haerfell
Redbouer
Dormire
Blizzird
Equinoxes fall on the Full Moon and Solstices at Dark Moon. Valaris has a 19 hour day
Fourteen phases – fourteen months
Ten days dark of moon and twenty-two days light – thirty-four days/month
476 days/year
Months:
Snostirl
Istelgor
Festwun
Grensceot
Skileiken
Solsuite
Hatubrath
Fainscan
Cludcast
Redlef
Haerfell
Redbouer
Dormire
Blizzird
Equinoxes fall on the Full Moon and Solstices at Dark Moon. Valaris has a 19 hour day
Wednesday, May 12, 2010
Saska
Saska is a Mer initially withdrawn in the Dome of the Guardians. On Valaris, however, she discovers her fiery nature, and this is largely due to the influence of Rain. His presence alone begins to change her, but her attraction for him takes her forward in leaps and bounds.
Tuesday, May 11, 2010
Art in the Dome
The ceiling of the Dome was similarly segmented into fourteen, creating the illusion that the vaulted arches met overhead without the support of buttress and pedentive. Being of magic, any support was illusion. Each segment was the genius of a master artist: the mosaics overhead were of incredible variety and hue, and depicted stylised scenes exceptionally beautiful and horribly grotesque. There were winged creatures soaring over mountain peaks of emerald, violet, tangerine and sapphire. There were water scenes with sleek, silvery mer-beings half leaping, half diving. Battle scenes with humanoids sitting astride amazing four-legged, winged creatures. And darker images: things black, mud, scarlet, and plutonium green; things animalistic, fanged and wading through rivers of bleached bones. By far the most frightening were hand combat scenes, the combatants of both sides committing terrible atrocity. It was art, it was honest and it was truth.
Sunday, May 9, 2010
Deities
Avendeath looked from one man to the other. McSee already had a schoolboy crush on his gentle, shy Averroes, and that was trouble, him being so big and, well, crude in a way. Rain had a hidden agenda, the shadows in his eyes spoke of it, and that was greater trouble. He glanced at Averroes and sighed sadly. She was looking at Rain with an enigmatic and mature expression. Rain and Averroes, who should have sat side-by-side. He cursed in silence.
‘I’ll start packing,’ he said and rose from his armchair. As he left the room he waved his right hand and snuffed the candles, plunging the three within into darkness. He walked out unapologetically, and Rain snorted a laugh.
‘And that?’ McSee asked in the dark.
Averroes lit a lantern. ‘He thinks we’re ganging up on him. He’ll be fine.’
‘Yes, well, now nothing stops those kids,’ McSee muttered. ‘I’m going to check…’ He followed Avendeath into the house and they heard him call out, his footsteps receding swiftly.
‘You said nothing of the Oracles,’ Averroes said into the silence that came after those footsteps silenced somewhere.
‘That comes later,’ Rain returned. He put the chairs back into their corners and pulled the drapes behind Avendeath’s armchair for light. It was gloomy non-light as if thunder threatened.
Averroes snuffed the lantern and watched him stare into the courtyard at the back of the house. It was paved, had shrubs in pots, an empty wash line and a gate on the far side. ‘I don’t recall where I was born,’ she said abruptly.
He turned. ‘Neither do I.’
She nodded as if it confirmed something she suspected. Recalling, for them, went beyond the age when a toddler could hold onto memories. Then: ‘You believe there is more to the gathering at the Well than north and south and the bringing together of the Oracles and Medaillon.’
She saw too much, and had a greater maturity than Avendeath believed. ‘North and south were both ultimately responsible for Drasso’s death.’
‘You’re saying Infinity is behind this.’
‘Yes.’
‘And there is a plan in place that requires four northerners…and us.’
‘And others,’ Rain added.
‘The Deities.’
‘Yes.’
‘Why not tell Avendeath?’
‘He worries too much for you already.’
‘I am not that weak,’ Averroes frowned.
Rain turned away. ‘No, you are stronger than anyone yet realises, and that is a good thing.’ Or very disturbing. He left the chamber after a moment, leaving her to tidy away the wine and tea.
‘I’ll start packing,’ he said and rose from his armchair. As he left the room he waved his right hand and snuffed the candles, plunging the three within into darkness. He walked out unapologetically, and Rain snorted a laugh.
‘And that?’ McSee asked in the dark.
Averroes lit a lantern. ‘He thinks we’re ganging up on him. He’ll be fine.’
‘Yes, well, now nothing stops those kids,’ McSee muttered. ‘I’m going to check…’ He followed Avendeath into the house and they heard him call out, his footsteps receding swiftly.
‘You said nothing of the Oracles,’ Averroes said into the silence that came after those footsteps silenced somewhere.
‘That comes later,’ Rain returned. He put the chairs back into their corners and pulled the drapes behind Avendeath’s armchair for light. It was gloomy non-light as if thunder threatened.
Averroes snuffed the lantern and watched him stare into the courtyard at the back of the house. It was paved, had shrubs in pots, an empty wash line and a gate on the far side. ‘I don’t recall where I was born,’ she said abruptly.
He turned. ‘Neither do I.’
She nodded as if it confirmed something she suspected. Recalling, for them, went beyond the age when a toddler could hold onto memories. Then: ‘You believe there is more to the gathering at the Well than north and south and the bringing together of the Oracles and Medaillon.’
She saw too much, and had a greater maturity than Avendeath believed. ‘North and south were both ultimately responsible for Drasso’s death.’
‘You’re saying Infinity is behind this.’
‘Yes.’
‘And there is a plan in place that requires four northerners…and us.’
‘And others,’ Rain added.
‘The Deities.’
‘Yes.’
‘Why not tell Avendeath?’
‘He worries too much for you already.’
‘I am not that weak,’ Averroes frowned.
Rain turned away. ‘No, you are stronger than anyone yet realises, and that is a good thing.’ Or very disturbing. He left the chamber after a moment, leaving her to tidy away the wine and tea.
Granite slab
Seven children sat on a granite slab, cross-legged, hands relaxed on knees...and entirely unmoving and expressionless. As if formed from waxen rock. All wore red, silken tunics that shivered and folded in the breeze, the only movement.
It was eerie.
Torrullin crouched before them, scrutinising each in turn. All were blond and blue-eyed, all boys. Flawless skins. Angelic perfection.
Uncanny.
‘You must activate them.’
Torrullin glanced up as the birdman stepped in beside him. They, like the living statues, threw no shadows. A sun glared from on high...but he couldn’t now deal with that strangeness as well. He faced the children again.
‘Activate them. Are you saying they are manufactured?’
‘Manifestations.’
Torrullin rose and stretched. ‘I hesitate to ask.’
Quilla smiled. ‘And yet we shall not leave without solving this mystery.’
‘Fine, my feathered friend. Manifestations of what or who...and how is this perfection even possible?’ Torrullin waved in the general direction of the statues. ‘I have never seen a real child this unflawed.’
‘It is unnatural, isn’t it?’
‘Quilla.’
A shrug from the birdman. ‘I do not understand the how, but as to what? For it is what.’ Quilla sighed and looked up at Torrullin, squinting in the bright light. ‘These are voices trapped in form, unheard voices...more correctly, unheard messages.’
‘That implies thought, people...’
‘People long passed on. Leaving behind messages so important they have manifested in the guise of youthful angels. And before you ask, because even a man dead to every feeling would pause before this perfection.’
Torrullin nodded and stepped closer to the children. Reaching out tentatively, he touched the hand of the central boy, and then rested his fingers there, closing his eyes.
‘Faint resonance,’ he murmured moments later, and removed his hand and opened his eyes.
‘Not alive, but not dead either. How do I activate them?’
‘I assume Elixir needs to listen.’
A baleful stare. ‘I hate it when you do that.’
‘I know,’ Quilla laughed.
‘Listen,’ Torrullin muttered, ‘and hear.’ He abruptly glared at the birdman. ‘Important messages? Damn it, Quilla, you know how paths change when something untold is made tangible.’
‘Yes. And yet here we are.’
‘And we shall not leave without solving the mystery. Curiosity gets us into trouble every time, and still we grab the cat by the tail.’ Torrullin swore under his breath and folded down to sit in a cross-legged manner that mirrored the boys’. He didn’t say more and Quilla didn’t interrupt the process either.
Absolute silence descended, broken only by breath and sweat tracking lazily over cheeks.
Both spooked when the seven angelic manifestations abruptly slapped palms against chests. Their hands froze in that lifted position.
‘Oh, my,’ Quilla breathed out. He cleared his throat. ‘They are activated.’
Torrullin stared at the central figure. ‘I haven’t done anything yet.’
Quilla closed in. ‘Perhaps it’s proximity.’
It was eerie.
Torrullin crouched before them, scrutinising each in turn. All were blond and blue-eyed, all boys. Flawless skins. Angelic perfection.
Uncanny.
‘You must activate them.’
Torrullin glanced up as the birdman stepped in beside him. They, like the living statues, threw no shadows. A sun glared from on high...but he couldn’t now deal with that strangeness as well. He faced the children again.
‘Activate them. Are you saying they are manufactured?’
‘Manifestations.’
Torrullin rose and stretched. ‘I hesitate to ask.’
Quilla smiled. ‘And yet we shall not leave without solving this mystery.’
‘Fine, my feathered friend. Manifestations of what or who...and how is this perfection even possible?’ Torrullin waved in the general direction of the statues. ‘I have never seen a real child this unflawed.’
‘It is unnatural, isn’t it?’
‘Quilla.’
A shrug from the birdman. ‘I do not understand the how, but as to what? For it is what.’ Quilla sighed and looked up at Torrullin, squinting in the bright light. ‘These are voices trapped in form, unheard voices...more correctly, unheard messages.’
‘That implies thought, people...’
‘People long passed on. Leaving behind messages so important they have manifested in the guise of youthful angels. And before you ask, because even a man dead to every feeling would pause before this perfection.’
Torrullin nodded and stepped closer to the children. Reaching out tentatively, he touched the hand of the central boy, and then rested his fingers there, closing his eyes.
‘Faint resonance,’ he murmured moments later, and removed his hand and opened his eyes.
‘Not alive, but not dead either. How do I activate them?’
‘I assume Elixir needs to listen.’
A baleful stare. ‘I hate it when you do that.’
‘I know,’ Quilla laughed.
‘Listen,’ Torrullin muttered, ‘and hear.’ He abruptly glared at the birdman. ‘Important messages? Damn it, Quilla, you know how paths change when something untold is made tangible.’
‘Yes. And yet here we are.’
‘And we shall not leave without solving the mystery. Curiosity gets us into trouble every time, and still we grab the cat by the tail.’ Torrullin swore under his breath and folded down to sit in a cross-legged manner that mirrored the boys’. He didn’t say more and Quilla didn’t interrupt the process either.
Absolute silence descended, broken only by breath and sweat tracking lazily over cheeks.
Both spooked when the seven angelic manifestations abruptly slapped palms against chests. Their hands froze in that lifted position.
‘Oh, my,’ Quilla breathed out. He cleared his throat. ‘They are activated.’
Torrullin stared at the central figure. ‘I haven’t done anything yet.’
Quilla closed in. ‘Perhaps it’s proximity.’
Snapshots?
What are snapshots? Here, for me and for you, a snapshot is a piece written out of context from the main Tales. It may or may not be incorporated into the story somewhere, but meanwhile it serves as a prod into creativity...or is simply a fun exercise!
Saturday, May 8, 2010
Another few words...
I'm sure you've noticed the gap in posts.
The reasons are varied:
1. Recently moved from the northern to the southern hemisphere
2. Did some major editing!
3. Made some big decisions on the format of my work (see post below this!)
Of course I'm still writing daily and thus have to structure my time for blogging, Authonomy (and others!), but here's to more frequent excerpts and updates from the universe of the Valla!
The reasons are varied:
1. Recently moved from the northern to the southern hemisphere
2. Did some major editing!
3. Made some big decisions on the format of my work (see post below this!)
Of course I'm still writing daily and thus have to structure my time for blogging, Authonomy (and others!), but here's to more frequent excerpts and updates from the universe of the Valla!
A few words on my creative journey
Gathering of Rain is the first Tale from the Path of Shades and is about RAIN being gathered to become something greater than he initially suspects. His journey starts as an unwilling sorcerer forced into action by the manipulations of an ancient enemy. By the end of the first Tale every reader will know there is great potential in Rain...and great danger. We could label this heroic fantasy, for there is heroism, but as Rain possesses dark spaces, it places him firmly on the Path of Shades.
How did Rain’s journey come to light? A few years ago I paged through a book on Alchemy, a dictionary of terms. I wish I could now recall to mind the author, to thank her for the proverbial light bulb moment that sparked this creative process. I do, however, recall the 14 steps to alchemical perfection she listed that started it all.
Those 14 steps, tweaked of course to fit an epic tale, caused me to grab pen and paper...and they also form the basis of the quest for Rain in Gathering of Rain:
1. Find the sacred rhythms of Pyllanthos.
2. Enter the Square Pyramid. .
3. Solve the riddle of the Obelisk. .
4. Play chess in the Queen’s chessboard courtyard.
5. Open the Three Gates.
6. Pray in the Round Temple.
7. Activate the Seven-sided Fountain.
8. Survive the Graveyard of the Ancients.
9. Surmount the rivers to the Lifesource
10. Travel the Tunnels
11. Solve the Maze.
12. Solve the mystery of the Circular Mystic Island.
13. Pick from the sacred rose-garden of Moshesh.
14. Climb the Tower of Stairs.
To further add impetus to creativity, I had a dream a while before said light bulb moment. Content isn't important, but what is, is the fact I was convinced, upon waking, I possessed 10 books I had penned while on a dream mission...I simply had to find them...or write them. The Ancient Oracles we learn of in Gathering of Rain parallel this- 10 sacred volumes of history and sorcery, and, yes, I have subsequently ‘penned’ 10 Tales:
1. Gathering of Rain
2. Ancient Fire
3. Glittering Darkness
4. Walker of realms
5. Animated Spirit
6. Sacred Space
7. Shadowland
8. Time’s Timekeeper
9. Alhazen’s Bridge
10. Siren Stone
Most of the above forms part of my query letter and I would appreciate feedback.
There is more to this journey: At first there was the encompassing term ‘Tales of the Valla’ and five volumes. Those five volumes seemed too large re the word count etiquette given out by agents and publishers, and thus 5 volumes became 10. Subsequent work I labelled as something else...but, in reality, all is part of one giant tale. Much soul-searching and time later, I decided to follow my instincts and returned to ‘larger’ volumes and chose the Path of Shades as the umbrella.
Only the last three volumes are still works-in-progress and I’ll create pages for each as soon as I am happy with how they begin. Meanwhile, browse the other book pages for the Prologue and Chapter One of completed Tales.
Have fun!
Elaina
How did Rain’s journey come to light? A few years ago I paged through a book on Alchemy, a dictionary of terms. I wish I could now recall to mind the author, to thank her for the proverbial light bulb moment that sparked this creative process. I do, however, recall the 14 steps to alchemical perfection she listed that started it all.
Those 14 steps, tweaked of course to fit an epic tale, caused me to grab pen and paper...and they also form the basis of the quest for Rain in Gathering of Rain:
1. Find the sacred rhythms of Pyllanthos.
2. Enter the Square Pyramid. .
3. Solve the riddle of the Obelisk. .
4. Play chess in the Queen’s chessboard courtyard.
5. Open the Three Gates.
6. Pray in the Round Temple.
7. Activate the Seven-sided Fountain.
8. Survive the Graveyard of the Ancients.
9. Surmount the rivers to the Lifesource
10. Travel the Tunnels
11. Solve the Maze.
12. Solve the mystery of the Circular Mystic Island.
13. Pick from the sacred rose-garden of Moshesh.
14. Climb the Tower of Stairs.
To further add impetus to creativity, I had a dream a while before said light bulb moment. Content isn't important, but what is, is the fact I was convinced, upon waking, I possessed 10 books I had penned while on a dream mission...I simply had to find them...or write them. The Ancient Oracles we learn of in Gathering of Rain parallel this- 10 sacred volumes of history and sorcery, and, yes, I have subsequently ‘penned’ 10 Tales:
1. Gathering of Rain
2. Ancient Fire
3. Glittering Darkness
4. Walker of realms
5. Animated Spirit
6. Sacred Space
7. Shadowland
8. Time’s Timekeeper
9. Alhazen’s Bridge
10. Siren Stone
Most of the above forms part of my query letter and I would appreciate feedback.
There is more to this journey: At first there was the encompassing term ‘Tales of the Valla’ and five volumes. Those five volumes seemed too large re the word count etiquette given out by agents and publishers, and thus 5 volumes became 10. Subsequent work I labelled as something else...but, in reality, all is part of one giant tale. Much soul-searching and time later, I decided to follow my instincts and returned to ‘larger’ volumes and chose the Path of Shades as the umbrella.
Only the last three volumes are still works-in-progress and I’ll create pages for each as soon as I am happy with how they begin. Meanwhile, browse the other book pages for the Prologue and Chapter One of completed Tales.
Have fun!
Elaina
An encompassing phenomenon
Dear Reader
Nobody is perfect. Neither perfectly good nor perfectly bad, to use a rather clichéd set of opposites. Each of us slots in somewhere along the line that stretches from idealism to wickedness...as do the characters you are will meet.
That line is life’s journey and I call it the Path of Shades.
Nobody is perfect. Neither perfectly good nor perfectly bad, to use a rather clichéd set of opposites. Each of us slots in somewhere along the line that stretches from idealism to wickedness...as do the characters you are will meet.
That line is life’s journey and I call it the Path of Shades.
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